Adrian Ghenie - Pie Fight Study 2, 2008. (Oil on canvas, 55 X 59 cm.)
Théodore Géricault – Etude de pieds et de mains, 1818-1819. (Oil on canvas, 52 x 64 cm.) A study for the Raft of the Medusa (La Radeau de la Méduse.)
David Salle - Saltimbanques, 1986. (Acrylic, oil, two canvas inserts and one wooden frame on canvas, 152.3 x 254cm.)
Holly Andres - The Magic Elixir, 2008, from"Sparrow Lane" -series. (Chromogenic dye coupler print, variable sizes.)
“Sparrow Lane presents an elliptical narrative of young women on the verge of adulthood. Drawing on the formal and thematic conventions of Nancy Drew books, 1970s horror films and Alfred Hitchcock, the series depicts girls in search of forbidden knowledge. By employing suggestive and symbolic iconography such as chrome flashlights, skeleton keys, mirrors, birdcages and open drawers, literal narratives are suspended to suggest psycho-sexual metaphors. The Sparrow Lane protagonists are propelled by curiosity, empowered by their discoveries, and are also intimidated by a sense of impending threat. While the girls flirt with danger, however, the work is apparently innocent and devoid of explicit violence. Rather, the series represents the potential loss of innocence. (Source)”
Jana Maré - Behind the Wallpaper, 2012. (Archival Inkjet Print, 51 x 76 cm.)
Nazif Topçuoğlu - Undressing, 2008. (C-print.)
Bert Löeschner - Rückgrat. (stacked plastic chairs.)
Michaël Borremans - Vertebra, 2004. (Oil on canvas, 30 x 50 cm.)
Gottfried Hellnwein - The Disasters of War 4, 2007. (oil and acrylic on canvas, 299 cm x 204 cm.)
Michaël Borremans - The Case, 2009. (Oil on canvas, 50,0 x 42,0 cm.)









